Make Your Mark
We speak with Sue Gardiner and Megan Shaw of Squiggla about the Chartwell Trust’s new initiative, an essential tool that helps you develop creative thinking through the power of mark making.
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ABOVE
Desire Lines, 2020 by Imogen Taylor.
Courtesy of the artist and Michael Lett, Auckland.
ABOVE
Osterns Quarry Greywacke Bunker Xlll, 2019 by Chauncey Flay. Courtesy of the artist and Laree Payne Gallery.
ABOVE
The Heavy Load That We Bear by Robyn Kahukiwa.
Courtesy of the artist and Black Door Gallery.
The Auckland Art Fair may well be one of the only to go ahead worldwide in 2021 and below we announce the line-up galleries.
Hailing from Auckland Tāmaki Makaurau, Whangarei, Hamilton Kirikiriroa, Tauranga, Wellington Te Whanganui-a-Tara, Christchurch Ōtautahi, Queenstown Tāhuna and Dunedin Ōtepoti plus (travel restriction-pending) internationals from Australia, Rarotonga and China, you will see:
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We speak with Sue Gardiner and Megan Shaw of Squiggla about the Chartwell Trust’s new initiative, an essential tool that helps you develop creative thinking through the power of mark making.
Montreal-based EDEN POWER CORP co-founder, Isaac Larose, talks to Adam Bryce about the merging of the experimental work and life philosophies he shares with partner Florence Provencher-Proulx.
Kaukau, the sum of two great parts.
Founded in Sydney, Australia, by Kristen Lindesay and Claire De Luca, auór is an independent eyewear and accessories label hand-crafted in Italy. After a pre-COVID relocate, auór is now designed between the women’s new homes, one in London and the other in New Zealand. We speak to the co-directors over Zoom to find out why auór is standing out in an already saturated market, gaining momentum and a specific kind of follower.
For most businesses, a one-dimensional, top-down approach dictates the way of things: they make something, they market it to us, we buy it. Not Foile.
INDEX editor-in-chief Adam Bryce interviews artist Simon Denny.